Here is a sample from Judy’s latest interview:
This wonderful new interview series with Judy Mastrangelo is all about the movies. This is a seven part series… Let’s delve in!
Films have always inspired my life and my art, ever since I was young. They fulfill needs for fantasy, excitement, etc., which can be experienced vicariously by everyone who loves to partake in the adventure of this delightful art form.
I don’t watch movies all day long, only when I have some time to spare for them. But many great movies stay with me forever in my memory. Several of the films I mention here, I’ve seen several years ago. But they were so enjoyable that sometimes they will come to mind, and I’ll enjoy thinking about them and the actors who were in them. I find the realm of film a magical place of enrichment for my soul, since when I visit it, I can become other characters, visit fascinating lands, and partake in exciting adventures.
Personally, I enjoy both the old and the new films. They each have something to offer.
Here are two Fantasy films involving children, which I feel are so wonderful that they can be enjoyed by all ages:
THE NEVER-ENDING STORY 1984
What an imaginative and beautifully done film this is, starring Barret Oliver as a shy Bastian, who goes into a fantasy world with a dragon, gnomes, and many other delightful characters. It is one of my favorite fantasy movies. Two more sequel films came after this first one, but this still remains my favorite of the three.
THE BLUE BIRD 1940 ~ starring Shirley Temple
MGM wanted Shirley to star in THE WIZARD OF OZ film as Dorothy, but they couldn’t use her since she was not permitted to break her contract with the film studio she was working with at the time. So, as an alternative, she was cast in a fairy tale written by Maurice Maeterlinck with co-stars Nigel Bruce and Gale Sondergaard, etc. It was a beautiful fantasy movie but not very successful. A memorable scene to me was where she meets children waiting to be born. The beautiful backgrounds are reminiscent of a gorgeous Maxfield Parrish painting.
Read the entire interview at